Exam Preview
Exam Preview
Managing the Musician with Hearing Loss: Treatment Considerations, presented in partnership with Salus University
Please note: exam questions are subject to change.
1. Tinnitus suffering has a very high rate of comorbidity with which condition(s)?
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2. Conventional hearing aids (BTE, RIC, IIC, CIC, ITE) have a low-frequency roll-off about what frequency range (i.e., they do not transduce sound below this frequency range, which is problematic for some music but not problematic for speech intelligibility)?
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3. Which of the following characteristics of a hearing aid determines the maximum level of the music or speech that can be processed by the hearing aid without distortion?
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4. Which of the following is NOT one of the most frequently reported problems with bothersome tinnitus?
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5. Anti-anxiety and anti-depressant medications, such as Klonopin and Prozac, assist in tinnitus management by:
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6. Of the following instruments, which can produce the lowest fundamental frequency?
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7. Sound enhancement, through the use of tinnitus maskers, soundfield white noise generators, and the like, help manage tinnitus suffering by:
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8. How might hearing aid gain settings be adjusted to improve acceptability of music?
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9. Which area of the brain is responsible for inappropriately assigning importance to the perception of tinnitus, resulting in a fear reaction, when tinnitus is bothersome/tinnitus suffering occurs?
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10. Which of the following signal processing strategies is most disadvantageous for music listening?
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